01473 295230
info@danceeast.co.uk
DanceEast, Jerwood DanceHouse
Foundry Lane, Ipswich, Suffolk IP4 1DW
Whistler Gallery
Movement 1
Tony Roberts
Framed: Yes
Size: 625x450mm
Medium: coloured pencils, 110gsm cartridge paper
Price: £100
Tony Roberts
The world of art opened up when I joined the Peninsula Art Group. Having the privilege to experience Mary’s Dance Unlimited group at Dance East has had a great influence on my work. Being with the dancers, seeing them perform, experiencing the thud and sound of movement has been inspiring. Putting the sound and the vision together on canvas and paper has been a challenge and a great joy.
Movement 2
Tony Roberts
Framed: Yes
Size: 530x730mm
Medium: acrylics on card
Price: £100
Tony Roberts
The world of art opened up when I joined the Peninsula Art Group. Having the privilege to experience Mary’s Dance Unlimited group at Dance East has had a great influence on my work. Being with the dancers, seeing them perform, experiencing the thud and sound of movement has been inspiring. Putting the sound and the vision together on canvas and paper has been a challenge and a great joy.
Dancing on Clouds
Tony Roberts
Framed: n/a
Size: 610x910mm
Medium: acrylics on silk canvas
Price: £270
Tony Roberts
The world of art opened up when I joined the Peninsula Art Group. Having the privilege to experience Mary’s Dance Unlimited group at Dance East has had a great influence on my work. Being with the dancers, seeing them perform, experiencing the thud and sound of movement has been inspiring. Putting the sound and the vision together on canvas and paper has been a challenge and a great joy.
And…stop
Phillip Jowett
Framed: No
Size: 590x420mm
Medium: oil pastels, 110gsm cartridge paper
Price: £50
Phillip Jowett
I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.
Anticipation
Phillip Jowett
Framed: No
Size: 590x420mm
Medium: coloured pencils, 110gsm cartridge paper
Not for sale
Phillip Jowett
I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.
Reclining Dancer
Phillip Jowett
Framed: No
Size: 300x210mm
Medium: pen & ink, 110gsm cartridge paper
Not for sale
Phillip Jowett
I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.
Four in Time
Phillip Jowett
Framed: No
Size: 300x210mm
Medium: pen & ink, 300gsm textured paper
Not for sale
Phillip Jowett
I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.
Heads Down
Phillip Jowett
Framed: No
Size: 300x210mm
Medium: pen & ink, 110gsm cartridge paper
Price: £20
Phillip Jowett
I have always had an interest in art and regularly visit Florence to revel in the atmosphere of creativity. I joined Peninsula Art Group several years ago to develop my curiosity in the creative process. One of my sons danced with Scottish Ballet and I always enjoyed observing him rehearsing and performing. Working creatively alongside Mary’s Dance Unlimited group enabled me to enter their world of movement in action.
Tracing Time
Nick Carter
Framed: n/a
Size: 560x455mm
Medium: acrylics on canvas
Price: £245
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Rotating in Time
Nick Carter
Framed: n/a
Size: 560x455mm
Medium: acrylics on canvas
Price: £245
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Mary dancing East
Nick Carter
Framed: Yes
Size: 310x410mm
Medium: pen & ink, 300gsm textured paper
Price: £95
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Being in Charge
Nick Carter
Framed: Yes
Size: 525x425mm
Medium: pencil, 110gsm cartridge paper
Price: £145
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Rotating in Time 2
Nick Carter
Framed: n/a
Size: 610x1830mm
Medium: acrylics on canvas
Price: £750
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Working through Time
Nick Carter
Framed: n/a
Size: 610x1830mm
Medium: acrylics on canvas
Price: £1250
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Mary Hovering in Space
Nick Carter
Framed: n/a
Size: 1520x1520mm
Medium: acrylics on canvas
Price: £75
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
And, hold
Nick Carter
Framed: yes
Size: 225x325mm
Medium: pencil, 110gsm cartridge paper
Price: £75
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Moving in Time
Nick Carter
Framed: yes
Size: 225x325mm
Medium: pencil, 110gsm cartridge paper
Price: £75
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Dancing East
Nick Carter
Framed: yes
Size: 350x430mm
Medium: pencil, 300gsm textured paper
Price: £145
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Staggered Movement
Nick Carter
Framed: yes
Size: 350x430mm
Medium: pencil, 300gsm textured paper
Price: £145
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
Dance Rotating
Nick Carter
Framed: n/a
Size: 450x900mm
Medium: acrylics on canvas
Price: £245
Nick Carter
I attended Southend Art School followed by Loughborough College of Art & Design specialising in three-dimensional design. My series of the Dance East drawings and paintings are based on two visual movement investigations; a) consequential travelling in time across the page, rather like time lapse photography, and b) viewing the rotational movement of a dancer in one position through time. This is how I approached the experience of being encapsulated by the sound and movement of Mary’s Dance Unlimited group.
dance study 1
Tessa Mussett
Framed: n/a
Size: 590x410mm
Medium: pencil, 110gsm cartridge paper
Not for sale
Tessa Mussett
I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour! We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching
dance study 2
Tessa Mussett
Framed: n/a
Size: 590x410mm
Medium: pencil, 110gsm cartridge paper
Not for sale
Tessa Mussett
I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour! We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching
dance study 3
Tessa Mussett
Framed: n/a
Size: 590x410mm
Medium: pencil, 110gsm cartridge paper
Not for sale
Tessa Mussett
I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour! We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching
dance study 4
Tessa Mussett
Framed: n/a
Size: 295x410mm
Medium: pencil, 300gsm textured paper
Not for sale
Tessa Mussett
I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour! We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching
Three Dancers
Tessa Mussett
Framed: n/a
Size: 590x410mm
Medium: coloured chalks, 110gsm cartridge paper
Not for sale
Tessa Mussett
I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour! We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching
dance study 5
Tessa Mussett
Framed: n/a
Size: 590x410mm
Medium: pencil, 90gsm fine grain paper
Not for sale
Tessa Mussett
I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour! We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching
dance study 6
Tessa Mussett
Framed: n/a
Size: 590x410mm
Medium: pencil, 110gsm cartridge paper
Not for sale
Tessa Mussett
I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour! We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching
dance study 7
Tessa Mussett
Framed: n/a
Size: 590x410mm
Medium: pencil, 110gsm cartridge paper
Not for sale
Tessa Mussett
I owe my knowledge of anything connected to artists, history of art and the theatre to my mother’s abundant enthusiasm. Later I went a step further, studying Fine Art at Cheltenham and Canterbury. I joined Peninsula Art Group in 2017. Drawing Mary and “Unlimited Dance” was absolutely wonderful – they worked with intense dedication and vigour! We thought we worked hard but struggled (honestly) to match their pace. Nevertheless the experience was intense, emotional and enriching
Welcome to our online Whistler Gallery.
Take a virtual wander and view what would be presented in our popular gallery, which will be available to hire again once the Jerwood DanceHouse re-opens.
PENINSULA ART GROUP
The Peninsula Art Group visited the Jerwood DanceHouse while our performance company, Dance Unlimited, rehearsed. Upon witnessing the dancers move within the space, the local art group responded by creating artwork, which is available for sale – click on each piece to find out more.
“Working in the DanceEast Studio with the dancers evoked a whole raft of emotions. The energy of movement at one point brought tears to my eyes as I was enveloped within the whole essence of dance. Mary imparted an amazing energy to the dancers which was absorbed by the artists. Unlimited it was. The whole studio changed; from moving weightlessness with their feet appearing to be lifted off the ground, moving from an enclosed pod through the transition into outside light, transcending space and time. This was the starting point for our artists group who interpreted the encompassed experience on the paper. We captured the dancers; travelling across the floor, group rotational movement, the essence and mood embodying the dancing group. We were not just observers; we became a part of Mary’s dance group which was a great privilege.” – Nick Carter
Contact information:
Nick Carter
Peninsula Art Group
Crouch House Studio
Grove Lane
Chelmondiston
Suffolk IP9 1HD
nick@edgteam.co.uk
01473 780 808 | 07710 245 925